![]() ![]() (His illusionistic Diorama, a popular spectacle hall where optical illusion and lighting effects combined to cast huge pictures with an illusion of depth, was a Paris landmark long before his name was connected with photography.) In 1826, hearing of Niépce's work through their common supplier of optical equipment, Charles Chevalier (1804-1859), an important innovator of the period, Daguerre approached the researcher through letters and asked to work with him toward an eventual partnership. ![]() Louis-Jacques-Mandé Daguerre (1789-1851) was born at Cormeilles-en-Parisis near Paris, and became an artist and scene painter. Louis-Jacques-Mandé Daguerre established use of camera. Fox Talbot and Daguerre established its use. Niépce made the first true photograph with a camera obscura equipped with a lens. In its list of "Great Inventions and Scientific Discoveries" the World Almanac gives first (1826) credit in photography to Frenchman Nicéphore Niépce, and secondary credits to Englishman Fox Talbot (in 1835) and to Frenchman Louis-Jacques-Mandé Daguerre (in 1837). ![]() In fact, while the Encyclopaedia Britannica notes, "photography was discovered by no one man," and while eminent Americans, British and Germans also have a variety of significant photographic breakthrough and achievements to their credit, there probably is no other science, art and industry in which Frenchmen have made so many basic and continuous contributions. Primarily this is because Frenchmen invented and developed the first still-picture and the first motion-picture cameras, although they also took the first true photographs, created color pictures, made the first movie and the process now called Cinemascope. Shaping modern lenses in diamond grinders in SOM-Berthiot plantĮvery time you take or look at a picture, every time you make or see a movie or watch TV, you can thank (or blame) the French for it. ![]()
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